Friday, 21 July 2017

Ep. 50 - Hotel Oceanview

July 21, 2017

Writers: Steven Kampmann
Director: Rod Daniel
Original Air Date: November 29, 1980
***Very Important***
^^^FAMOUSLY FUNNY^^^

This might be the most perfect episode of "WKRP in Cincinnati" ever written.

That's not to say the best, or the funniest, but this is the episode that has been the most perfectly constructed. All of the jokes and storylines weave seamlessly into each other. The rhythm and pacing are tight and deliberate. The characters stay very true to themselves. This episode refuses to blink from the ridiculousness of the situations it has put our three lead characters in. And all of that is summed up in the title of the episode, which no one at home would ever see.

Usually, WKRP episode titles are very bland. Last week's episode about Carlson's baby was called "The Baby." The episode before that set in the fictional show was titled "Real Families." This one could have been called "The Business Trip" or "The Dayton Poisoner." But the actual title is a reference to one early joke, that a hotel in VERY landlocked Dayton would be name "Hotel Oceanview" is ridiculous, emphasises that the focus of this episode is the ridiculous.

Jennifer, can you please give the audience some quick exposition as to what our main characters will be up to in this episode?

"You're driving to Dayton, where you'll be staying at the luxurious Hotel Oceanview, and you'll meet with Vicky Von Vicky at 7 pm. Because the Vicky Von Vicky jeans account could make the station a lot of money."

So Mr. Carlson, Andy and Herb drive Herb's Chrysler Cordoba, with rich Corinthian leather, an hour north to Dayton, home of Les' mother and the Dayton Poisoner. Dayton in 1980 had about 200,000 people in it, making it about half the size of Cincinnati.  There will be many jokes at the expense of Dayton being dangerous and "nasty after dark" when in reality, this should have been a small town meeting for these three men. It's never really explained why a designer as popular and "major" as Vicky Von Vicky would want to meet in a hotel in Dayton, especially if she is already centred there. Just the allure of the Hotel Oceanview, I suppose.

I'm now going to return to a running theme of this blog: that Andy Travis is not good at his job. He is the Program Director of WKRP, so why should he be at a sales meeting? In reality, those should be two separate departments under the General Manager's control. Even if he is attending because you want to present a show of strength, Herb is correct in saying that, as Sales Manager, he should be delivering the presentation. The reason to bring Andy is because you don't trust that Herb is not going to screw it up. So who screws up the presentation? The guy who loads pornographic and vacation slides onto his own projector, that's who!

The episode really comes to life when Mickey the bartender shows up. He is played by veteran character actor Larry Hankin (as of this writing, he has 172 IMDB.com acting credits) and immediately pushes a cadence of speaking onto the characters that turns the script into poetry. Is "poetry" too much praise for a sit-com script? There is plenty of evidence. Mickey knows Nikki who works for Vicky Von Vicky and where to buy a bulb? At Ricky's. When Mickey tells Arthur the Poisoner writes in verse, he says he's been staying awake "tossing and turning, thinking and churning."

Yet the best piece of poetry in the script in a joke that is only funny because of the rhythm at which it is delivered.
     "You're sleazy."
     "I'm smart."
     "I'm ready."
     "Let's go!"
On it's own, that's not funny. But delivered in a perfect staccato by three different actors, the rhythm delivers one of the biggest laughs of the night!

Something else we see for the only time ever on the show is Herb cheating on Lucille! He doesn't end up going all the way through with it, but he was obviously intending to! We can tell that Herb is as surprised his "oozing charm" has worked this well as Andy and Arthur are. He asks Nikki St. Clair "Are you kidding?" and when she answers "No I'm not!" his shocked expression to the other guys looks pretty genuine. Even Herb can't believe that he is finally going to close a deal through sex!

But it doesn't come naturally to him. Looking up at Herb dancing, Nikki asks "Nervous, Tiger?" He quickly answers "No, married." But Nikki is very aggressive and Herb is soon doing what none of us in the audience ever thought, or wanted, to see.

But in the world of Eighties sit-com's, no immoral deed goes unpunished, and we get the biggest punishment for a man who earlier in the episode didn't want to drink a fruity drink because the bartender said it was just for ladies. We have discussed before the gay panic that spreads over most comedies from the late 70's/ early 80's, WKRP in Cincinnati included. It goes back to "Les on a Ledge" in only the third episode. So transsexual panic? In 1980, that's just an immediate punchline.

Nikki was originally "Nick Sinclair, class of '64," male high school football classmate of Herb and Herb's previously jacked up sense of manhood now crumples and dies. Bonner rolls though Herb's emotions of shame, fear and regret slowly and hilariously as he physically rolls into the fetal position. Even though Nikki makes a sound argument why he shouldn't feel this way, Herb is too gripped by his panic to hear any of it. Or maybe it's the huge laugh from the audience that keeps him from hearing it. I'd like to think they are laughing more at Herb's comeuppance than at Nikki's revelation.

Speaking of revelations, in another room, Arthur has no fear of fruity drinks. What he does have is a growing fear of Mickey the bartender and his strange fascination with the Dayton Poisoner. To give Arthur his due, Mickey is acting very suspiciously: the intense, first-name repeating conversation about the Dayton Poisoner, Mickey's seeming insulted that Arthur might not like his Bamboozle, heck, he even brings out a tape of Bach's Toccata and Fugue in D minor! (It's not just WKRP, readers. I also can remember Fantasia!) But the part part that breaks from Three's Company style misunderstand to pure inference of danger is Mickey just pulling out a pre-made drink called the Mickey Special "Get it? Mickey special." I'd be crying like Arthur too!

Our time in Dayton ends with the arrival of Vicky Von Vicky played by '70's TV stalwart Dr. Joyce Brothers. For those too young to remember, she was the Dr. Drew Pinsky of her time - someone who was brought onto talk shows every time a pseudo-psychological opinion was needed. The fact that she is brought in to just play this jeans executive is one more element of the ridiculous.

Since most of the cast is isn't in Dayton, everybody gets their line in the final scene, as each walks through the lobby. Les giving Bailey advice on her love life is a jarring moment! But the final bit of poetry is in both Carlson and Andy's matching answers when asked how the trip went: "She's not going to sue, if that's what you mean."

Roy

Other Notes: The song Herb plays on the coin operated radio is Herb Alpert's "Rise," and not Notorious B.I.G.'s "Hypnotize" which samples it. A Bamboozle is made with three types of rum, bitters, pineapple juice, grenadine, coconut extract and a slice of mango. Linda Carlson, who played Nikki, was never actually a man.










Friday, 14 July 2017

Ep. 49 - The Baby

July 14, 2017

Writers: Blake Hunter
Director: Rod Daniel
Original Air Date: November 22, 1980

For many TV shows, the "new baby" episode is a classic, highlight episode. For "WKRP In Cincinnati,"  it was a palate cleanser between two genre-stretching and bizarre episodes. Leave it to WKRP to take the then-new idea of a father in the delivery room, and put it in a very conventional sit-com formula.

That formula isn't the zany "get her to the hospital" plot television has used since "I Love Lucy." It is the character study of our familiar cast members' reactions to being in a hospital, combined with Arthur Carlson's self-debate about being in the delivery room, combined with regular, old doctor jokes.

Can you remember a time when just wearing a tracksuit could make you look good? Neither do I, but Andy is casually in control as he proudly takes new-Dad-to-be Mr. Carlson to the hospital while wearing his fancy new tracksuit. And it seems to work too, because he immediately earns the attentions of a candy stripper/wannabe Playboy model and isn't seen again until after the baby is born.

Venus is not confidant. He can't stand the smell of hospitals although he comes to support Carlson. He immediately gets lost. Jennifer and Bailey arrive together and the viewer gets the sense that they were out together when summoned to the hospital. Ever the newsman, Les takes it upon himself to document the momentous event. Herb would rather be in bed but shows up because he thinks it will make Mr. Carlson happy.

Then there is Johnny, for whom the birth of Carlson's baby just seems like an excuse to wander around a hospital. There he meets the elderly Peggy Sue, who, if the viewers are still getting senses of things, might believe will never be leaving the hospital. She wants someone to talk to about the larger issues of life and death and she couldn't be luckier than to run into our "not really" Doctor.  It becomes clear that life after life is a topic Johnny has done a lot of thinking about. He discussion of the band in Heaven included musicians you might not associate with Dr. Fever, including Coltrane, Beethoven and... Albert Schweitzer!

If this were a different show, like say "Twin Peaks" or "Lost," I might argue that Fever discussing life after life with the personification of the most famous woman reference by the singer who died "The Day the Music Died" in Buddy Holly might just be a drug-fuelled fantasy, or even evidence that this is really Johnny's own near death experience!! But, it's WKRP, so Venus finds Johnny and shuttles him back to the group.

Looking back now, Arthur Carlson's nervousness about being in the delivery room might seem silly, but they are tied into his concerns about being new parents in their forties. My wife and I were new parents in our forties and I can tell you, many of Arthur's concerns are real. Being "the oldest couple they ever had" in a birthing class can be shocking. The health concerns for a woman in her forties giving birth are real and although everyone involved tries to put the brightest face on them, when those concerns actually arise in a real delivery room, it is very scary and very sobering.

WKRP did a very nice job of not hiding from those real health issues. The detail of a possible Caesarean section is something most "wacky delivery" sit-com episode never even bring up. The far-away stare Gordon Jump delivers when Arthur is being told about Carmen's possible surgery reveals years of love for his wife and a hundred worries. It is a powerful moment.

Powerful moments need to be broken up with... tired doctor jokes. The constant paging of doctors to call everyone except another health care worker is funny due to repetition (they are, in order: call your pool man, call your contractor, call your pilot and call your chiropractor). Watching each characters reactions to the task of following complicated coloured lines throughout the hospital has its charms. The dim witted candy stripper and jokes about the nervous dad are easy marks for these writers.

The best parts of this episode are whenever Arthur and Carmen are together. The two actors create the gentle chemistry of a couple who deeply care about each other, and are happy to have a new adventure together - this time with a little girl who may not grow up to be Patton.

Roy

Other notes - I didn't want to neglect Venus' comment about Andy's jogging: "If I ran home from here, I'd be stopped by the cops seven times." We often think these ideas like "white privilege" are new. Watching something like WKRP shows us they aren't. Actress Darian Mathias never appeared in Playboy. The Albert Schweitzer Organ Festival has been held annually in Wethersfield CT since 1997. He really was a highly regarded organist.










Monday, 3 July 2017

Ep. 48 - Real Families

July 3, 2017

Writer: Peter Torokvei
Director: Rod Daniel
Original Air Date: November 15, 1980
*** Very Important ***

Thanks for reading the "Real Life Blog" in which we examine the banality of everyday living and see if we can make it seem seedy and illicit!

No, wait! Don't stop reading yet! You are actually reading the right blog "WKRP Re-Lived!" in which we look way too deeply into the significance of an early 80's sit-com and see how it relates to today. And wow, does this episode relate to television today!

The episode might be as remembered for its fake-out opening, which made many original viewers change the channel when it didn't look like WKRP was starting up, as it is for its "mockumentary" style (that term didn't even exist at this time. "This is Spinal Tap" wouldn't be released for another four years!). What ought to be remembered is its criticism of the public's hunger for entertainment and scandal and television's decent into feeding it to them.

Two very popular shows at the time of this episode were "Real People" and "That's Incredible!" Both showed filmed clips of regular American's with extraordinary or ridiculous hobbies or talents. I watched both shows with my family as a kid, and I clearly remember on "Real People" a woman who was so patriotic, she wore nothing but red, white and blue. Everything in her home, down to the wallpaper, was festooned with the American flag. But the real reason I remember her is that, whenever she heard "The Star-Spangled Banner," she would stop and stand with her hand on her heart. The producers then filmed her on the side of a busy highway, standing patriotically, as the song played on her car radio. I remember at the time, even as a 10 year old boy, thinking "That's Crazy! She's going to get killed or get somebody else killed. Who does that?" But I also thought "Why is the National Anthem playing on the radio? How did they know that was going to happen? THIS HAS BEEN A SET UP!"

Remember, this is a time before the internet, when eccentric people couldn't easily meet other eccentric people to wallow in their eccentricities. Nobody knew exactly how their neighbours really lived, so there was a pent-up curiosity that these shows catered to.  Also, and this is simply my own experience, people love to be judgy. Talking about how bad "those people" are goes back much further than television.

So "Real Families" combines these two basic wants: seeing how people really live, and then judging them for it. All you need is some dolt willing to go under such scrutiny.

"That's right, Elaine. This is Herb and Lucile Tarlek and their two children."

Let's start with Herb's letter to the show. "I am edified by your broadcast presentation and the direction of same in the entire field of television" ending with "I know the time difference can be a hassle, so call anytime." If this program were real, the producers would have been licking their lips at a chance to get this family on their show! It starts with the most pretentious opening line, using words no "Average Joe" (especially Herb) would really use. It finishes off with the tip-off that this guy is so unsophisticated, he thinks a three-hour time difference would confuse a Hollywood producer. This is a guys with something to hide!

Before we go into that too far, I want to mention the "Real Families" opening, in which the host Phil updates us on last week's guest, Dr. Feltner, who, because of the show's "journalism" was arrested for keeping Demerol in his garage. This piece would have set the audience up for the kind of attack Herb was about to face, but it was cut from syndication. Fortunately, the box set restores it.

So what does it take to start to uncover all of the Tarleks' hidden shames? Just showing up one day early. By arriving on Sunday, the show immediately discovers 1) unattended children answering the door to strangers (with cameras), 2) children watching loud TV on their own, 3) a messy house, 4) a boy playing with dolls and 5) Herb was drinking in bed last night. Lucille is so desperate to appear "normal" she comes up with something she thinks other "normal" families would do on a Sunday morning: go to church.

I don't know if the subsequent car chase was actually filmed in Cincinnati (I don't think it was) because it could really be any suburban neighbourhood, but this is the first time it is dawning on Herb that he won't be able to "outrun" these Hollywood producers. His scheming and hustling might work in the sleazier parts of Cincinnati, but it's not going to be enough against these guys. The chase is actually a hilarious scene, as hosts Phil and Elaine narrate Herb's obviously growing desperation; so much so that he just stops at the first religious looking building he can find (How could Herb, a life-long Cincy resident, to not even know where one church is in his own neighbourhood).

Let's talk about Edie McClurg! This would be her last appearance on WKRP but she brings a ton of heart to what could be a one-note ditzy character. McClurg was a founding member of the famous improv group, the Groundlings (thanks, IMDB!) so this episode's improvisational format suits her to a tee. Lucille thinking she needs to explain how shopping works is funny and heartbreaking at the same time. Later, when she admits her life hasn't turned out the way she had hoped, she is not shamed the way the hosts wants her to be shamed. Lucille is defiant and proud of the life she and Herb have built. McClurg brings all of that to Lucille and WKRP is forever in her debt.

Another little side note - "WKRP in Cincinnati's" time slot was often up against "Little House on the Praire."  Having Lucille use "Little House" as the example of a wholesome, family show she would let her children watch, in which "every week a house burns down or someone goes blind" contrasts nicely against the "counter-cultural" WKRP. Which would YOU rather have your kids watch?

Here's something only a blog would ever say: Is Herb Tarlek the WKRP MacBeth? (Would that make Lucille Lady MacBeth?) The answer is probably no, except for this: Herb's fatal flaw is his hubris. He thinks he will always be able to con and hustle his way out of every situation. That's what makes it so much fun to watch him fail! With "Real Families," Herb is betting he can hustle a bunch of Hollywood producers, and by extension all of America, into believing he is a really great guy. But the hustle that might work on stereo shops in Cincinnati is not going to work on the bigger scale.

Convincing literally everyone at the station (Andy, Venus, Bailey, Les, Johnny, Mr. Carlson, Jennifer and eventually his own daughter) to repeat the same phrase, and not think the producers wouldn't notice is such a small time move. The ironic thing is that "hard worker, loyal husband and all around fine person" is a good description of Herb: he does work hard at hustling, just not at selling radio airtime, to always be supportive and available for his wife and family. He may not be a Great person, but Herb is a Fine person. Certainly not the sort of person who would torture ducks.

Call it the Karma of the Ducks that Herb practically has to dance on a hot plate himself to explain away his SPCA condemned behaviour, then follow it up with a call back to the "Turkeys Away" episode. The heat is slowly but steadily being turned up on Herb Tarlek, until he finally cracks! And when he does, and he stops hustle and just says the real things that are on his mind, he comes across at his best, protecting and loving his family by just admitting... they're not perfect!

What he says in his blow up is the whole point of the show: "The Truth? You mean, what's real?" Why are those two different questions? Even the title of the show is a falsehood. Nobody would watch a show about REAL families. The need to be crazy, interesting, illicit families to have viewers tune in. "My life is boring!" Most people's lives are boring! There are always more people in the audience than there are on the stage. But somehow people have been lead to believe that boring is not good enough; that they have failed because they are not up on the stage for everyone to applaud. Here is the hubris of Herb: he proclaims this as a revelation; something he figured out. But later, when they are flown out to California to appear on the stage, the host tells him and the audience point blank "almost anybody will do almost anything to get their picture on television." The producers have known this all along.

The same is even truer in a world with 1000 cable channels and unlimited YouTube. Someone can even write a blog about a 35 year old TV show and have people worldwide read it (seriously). But perhaps the most poignant thing Herb says to our times is "Nothing on the tube is Real! Not even the news!"

We tend to look back today to the late 70's and early '80's with nostalgia about the news industry. There were stalwarts of journalism like Walter Kronkite and Knowlton Nash who would only be concerned with bringing us the facts of the world without regard for ratings. It was a time when every major city had multiple newspapers with reporters who dug for the facts rather than repeat press releases. But was that really the case? Maybe we're just more aware of the stagecraft now than we were back then. Maybe Herb's revelation is one the general public is only starting to have now, while the "producers" have known the truth the whole time.

In the end, Herb gave Herb jr. his doll back, because it was more important for his son to be happy than to appear "normal." That's the truth.

Roy

Other Notes - This might already be the longest blog I've written and I didn't even get into the other characters at the station! Especially: Johnny's piece about Herb being Nitchzie, Bailey being the person who couldn't remember her lines, Carlson and Herb being grilled. Next week's family "He's a cuban bandleader and, she says, she's an average, redheaded housewife" is obviously a reference to "I Love Lucy."